"I wish you were here," wrote the celebrated comedian Mondory to Balzac, on the 18th of January, 1637, "to enjoy amongst other pleasures that of the beautiful comedies that are being played, and especially a _Cid_ who has charmed all Paris.

So beautiful is he that he has smitten with love all the most virtuous ladies, whose passion has many times blazed out in the public theatre.

Seated in a body on the benches of the boxes have been seen those who are commonly seen only in gilded chamber and on the seat with the fleurs-de-lis.

So great has been the throng at our doors, and our place has turned out so small, that the corners of the theatre, which served at other times as niches for the pageboys, have been given as a favor to blue ribbons, and the scene has been embellished, ordinarily, with the crosses of knights of the order." "It is difficult," says Pellisson, "to imagine with what approbation this piece was received by court and people." It was impossible to tire of seeing it, nothing else was talked of in company; everybody knew some portion by heart; it was taught to children, and in many parts of France it had passed into a proverb to say, "Beautiful as the _Cid_." Criticism itself was silenced for a while; carried along in the general twirl, bewildered by its success, the rivals of Corneille appeared to join the throng of his admirers; but they soon recovered their breath, and their first sign of life was an effort of resistance to the torrent which threatened to carry them away; with the exception of Rotrou, who was worthy to comprehend and enjoy Corneille, the revolt was unanimous.

The malcontents and the envious had found in Richelieu an eager and a powerful auxiliary.
[Illustration: The Representation of "the Cid."-- --335] Many attempts have been made to fathom the causes of the cardinal's animosity to the _Cid_.