[Sketches by Boz by Charles Dickens]@TWC D-Link bookSketches by Boz CHAPTER XXIII--THE PAWNBROKER'S SHOP 3/9
A few old china cups; some modern vases, adorned with paltry paintings of three Spanish cavaliers playing three Spanish guitars; or a party of boors carousing: each boor with one leg painfully elevated in the air, by way of expressing his perfect freedom and gaiety; several sets of chessmen, two or three flutes, a few fiddles, a round-eyed portrait staring in astonishment from a very dark ground; some gaudily-bound prayer-books and testaments, two rows of silver watches quite as clumsy and almost as large as Ferguson's first; numerous old-fashioned table and tea spoons, displayed, fan-like, in half-dozens; strings of coral with great broad gilt snaps; cards of rings and brooches, fastened and labelled separately, like the insects in the British Museum; cheap silver penholders and snuff-boxes, with a masonic star, complete the jewellery department; while five or six beds in smeary clouded ticks, strings of blankets and sheets, silk and cotton handkerchiefs, and wearing apparel of every description, form the more useful, though even less ornamental, part, of the articles exposed for sale.
An extensive collection of planes, chisels, saws, and other carpenters' tools, which have been pledged, and never redeemed, form the foreground of the picture; while the large frames full of ticketed bundles, which are dimly seen through the dirty casement up-stairs--the squalid neighbourhood--the adjoining houses, straggling, shrunken, and rotten, with one or two filthy, unwholesome-looking heads thrust out of every window, and old red pans and stunted plants exposed on the tottering parapets, to the manifest hazard of the heads of the passers-by--the noisy men loitering under the archway at the corner of the court, or about the gin-shop next door--and their wives patiently standing on the curb-stone, with large baskets of cheap vegetables slung round them for sale, are its immediate auxiliaries. If the outside of the pawnbroker's shop be calculated to attract the attention, or excite the interest, of the speculative pedestrian, its interior cannot fail to produce the same effect in an increased degree. The front door, which we have before noticed, opens into the common shop, which is the resort of all those customers whose habitual acquaintance with such scenes renders them indifferent to the observation of their companions in poverty.
The side door opens into a small passage from which some half-dozen doors (which may be secured on the inside by bolts) open into a corresponding number of little dens, or closets, which face the counter.
Here, the more timid or respectable portion of the crowd shroud themselves from the notice of the remainder, and patiently wait until the gentleman behind the counter, with the curly black hair, diamond ring, and double silver watch-guard, shall feel disposed to favour them with his notice--a consummation which depends considerably on the temper of the aforesaid gentleman for the time being. At the present moment, this elegantly-attired individual is in the act of entering the duplicate he has just made out, in a thick book: a process from which he is diverted occasionally, by a conversation he is carrying on with another young man similarly employed at a little distance from him, whose allusions to 'that last bottle of soda-water last night,' and 'how regularly round my hat he felt himself when the young 'ooman gave 'em in charge,' would appear to refer to the consequences of some stolen joviality of the preceding evening.
The customers generally, however, seem unable to participate in the amusement derivable from this source, for an old sallow-looking woman, who has been leaning with both arms on the counter with a small bundle before her, for half an hour previously, suddenly interrupts the conversation by addressing the jewelled shopman--'Now, Mr.Henry, do make haste, there's a good soul, for my two grandchildren's locked up at home, and I'm afeer'd of the fire.' The shopman slightly raises his head, with an air of deep abstraction, and resumes his entry with as much deliberation as if he were engraving. 'You're in a hurry, Mrs.Tatham, this ev'nin', an't you ?' is the only notice he deigns to take, after the lapse of five minutes or so.
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