Dr.Cradock is inclined now to select the Outgate Crag, the second of the four places referred to by Mr.Rawnsley.But the first may have been the place, and the extract which follows will show how much is yet to be done in this matter of localizing poetical allusions.
"As to 'the crag, That, from the meeting-point of two highways Ascending, overlooked them both, far stretched,' there seems to be no doubt but that we have four competitors for the honour of being the place to which the poet: 'impatient for the sight Of those led palfreys that should bear them home' repaired with his brothers 'one Christmas-time, On the glad eve of its dear holidays.' And unless, as it seems is quite possible, from what one sees in other of Wordsworth's poems, he really stood on one of the crags, and then in his description drew the picture of the landscape at his feet from his memory of what it was as seen from another of the vantage places, we need a high crag, rising gradually or abruptly from the actual meeting-place of two highways, with, if possible at this distance of time, a wall--or traces of it--quite at its summit.

(I may mention that the wallers in this country still give two hundred years as the length of time that a dry wall will stand.) We need also traces of an old thorn tree close by.

The wall, too, must be so placed on the summit of the crag that, as it faces the direction in which the lad is looking for his palfrey, it shall afford shelter to him against 'the sleety rain, And all the business of the elements.' It is evident that the lad would be looking out in a north-easterly direction, i.e.towards the head of Windermere and Ambleside.

So that 'the mist, That on the line of each of those two roads Advanced in such indisputable shapes,' was urged by a wind that found the poet at his look-out station, glad to have the wall between him and it.

Further, there must be in close proximity wood and the sound of rushing water, or the lapping of a lake wind-driven against the marge, for the boy remembers that 'the bleak music from that old stone wall' was mingled with 'the noise of wood and water.' The roads spoken of must be two highways, and must be capable of being seen for some distance; unless, as it is just possible, the epithet 'far-stretched' may be taken as applying not so much to the roads, as to the gradual ascent of the crag from the meeting-place of the two highways.
The scene from the crag must be extended, and half plain half wood-land; at least one gathers as much from the lines: 'as the mist Gave intermitting prospect of the copse And plain beneath.' Lastly, it was a day of driving sleet and mist, and this of itself would necessitate that the poet and his brothers should only go to the place close to which the ponies must pass, or from which most plainly the roads were visible.
The boys too were 'feverish, and tired, and restless,' and a schoolboy, to gain his point on such a day and on such an errand, does not take much account of a mile of country to be travelled over.
So that it is immaterial, I think, to make the distance from Hawkshead of either of the four crags or vantage grounds a factor in decision.
The farther the lads were from home when they met their ponies, the longer ride back they would have, and this to schoolboys is matter of consideration at such times.
Taking then a survey of the ground of choice, we have to decide whether the crag in question is situated at the first division or main split of the road from Ambleside furthest from Hawkshead, or whether at the place where the two roads converge again into one nearer Hawkshead.
Whether, that is, the crag above the Pullwyke quarry, at the junction of the road to Water Barngates and the road to Wray and Outgate is to be selected, about two miles from Hawkshead; or whether we are to fix on the spot you have chosen, at the point about a mile north-east of Hawkshead, 'called in the ordnance map Outgate.' Of the two I incline to the former, for these reasons.