[The Poetical Works of William Wordsworth, Vol. III by William Wordsworth]@TWC D-Link bookThe Poetical Works of William Wordsworth, Vol. III INTRODUCTION 9/21
[o] The sands of Westmoreland, the creeks and bays Of Cumbria's rocky limits, they can tell How, when the Sea threw off his evening shade, And to the shepherd's hut on distant hills 570 Sent welcome notice of the rising moon, How I have stood, to fancies such as these A stranger, linking with the spectacle No conscious memory of a kindred sight, And bringing with me no peculiar sense 575 Of quietness or peace; yet have I stood, Even while mine eye hath moved o'er many a league Of shining water, gathering as it seemed Through every hair-breadth in that field of light New pleasure like a bee among the flowers.
580 Thus oft amid those fits of vulgar joy Which, through all seasons, on a child's pursuits Are prompt attendants, 'mid that giddy bliss Which, like a tempest, works along the blood And is forgotten; even then I felt 585 Gleams like the flashing of a shield;--the earth And common face of Nature spake to me Rememberable things; sometimes, 'tis true, By chance collisions and quaint accidents (Like those ill-sorted unions, work supposed 590 Of evil-minded fairies), yet not vain Nor profitless, if haply they impressed Collateral objects and appearances, Albeit lifeless then, and doomed to sleep Until maturer seasons called them forth 595 To impregnate and to elevate the mind. -- And if the vulgar joy by its own weight Wearied itself out of the memory, The scenes which were a witness of that joy Remained in their substantial lineaments 600 Depicted on the brain, and to the eye Were visible, a daily sight; and thus By the impressive discipline of fear, By pleasure and repeated happiness, So frequently repeated, and by force 605 Of obscure feelings representative Of things forgotten, these same scenes so bright, So beautiful, so majestic in themselves, Though yet the day was distant, did become Habitually dear, and all their forms 610 And changeful colours by invisible links Were fastened to the affections. I began My story early--not misled, I trust, By an infirmity of love for days Disowned by memory--ere the breath of spring 615 Planting my snowdrops among winter snows: [p] Nor will it seem to thee, O Friend! so prompt In sympathy, that I have lengthened out With fond and feeble tongue a tedious tale. Meanwhile, my hope has been, that I might fetch 620 Invigorating thoughts from former years; Might fix the wavering balance of my mind, And haply meet reproaches too, whose power May spur me on, in manhood now mature To honourable toil.
Yet should these hopes 625 Prove vain, and thus should neither I be taught To understand myself, nor thou to know With better knowledge how the heart was framed Of him thou lovest; need I dread from thee Harsh judgments, if the song be loth to quit 630 Those recollected hours that have the charm Of visionary things, those lovely forms And sweet sensations that throw back our life, And almost make remotest infancy A visible scene, on which the sun is shining? [q] 635 One end at least hath been attained; my mind Hath been revived, and if this genial mood Desert me not, forthwith shall be brought down Through later years the story of my life. The road lies plain before me;--'tis a theme 640 Single and of determined bounds; and hence I choose it rather at this time, than work Of ampler or more varied argument, Where I might be discomfited and lost: And certain hopes are with me, that to thee 645 This labour will be welcome, honoured Friend! * * * * * FOOTNOTES TO BOOK THE FIRST [Footnote A: On the authority of the poet's nephew, and others, the "city" here referred to has invariably been supposed to be Goslar, where he spent the winter of 1799.
Goslar, however, is as unlike a "vast city" as it is possible to conceive.
Wordsworth could have walked from end to end of it in ten minutes. One would think he was rather referring to London, but there is no evidence to show that he visited the metropolis in the spring of 1799. The lines which follow about "the open fields" (l.
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