On receiving the summons the young knight immediately quits De Gondomar, and, following the page to the doorway leading to the state apartments, dismounts at the steps, leaving his steed in charge of his youthful companion.
On entering the vestibule he finds a large party assembled, comprising some of the fairest dames of court, and several noble gallants, who intend taking no other part than that of spectators in the approaching tilting-match.

Most of them are known to Sir Jocelyn, and they eagerly crowd round him, fearing something may have occurred to interfere with the proceedings of the day.

The young knight allays their apprehensions, and after experiencing the kindling influence always produced by the smiles of the fair, begins to ascend the great staircase, and has nearly reached the door at its head, communicating with the Stone Gallery, when it is thrown open by an usher, and Prince Charles comes forth.
The noble countenance of Prince Charles is stamped with the same gravity, and slightly touched with the same melancholy, which distinguished his features through life, but which naturally deepened as misfortune fell upon him.

But as those dark days cannot now be discerned, and, as all seems brilliant around him, and full of brightest promise, this prophetic melancholy is thought to lend interest to his handsome features.

He is attired in a suit of black armour of exquisite workmanship, lacking only the helmet, which is carried by a page--as are the _volante piece_, the _mentonniere_, and the _grande-garde_, intended to be worn in the field.