At the end of Part VII.

he states that he wrote the work while leading the life of a religious student [probably at Benares] and while wholly engaged in the contemplation of the Deity.

He must have arrived at a certain age at that time, for throughout he gives us the benefit of his experience, and of his opinions, and these bear the stamp of age rather than of youth; indeed the work could hardly have been written by a young man.
In a beautiful verse of the Vedas of the Christians it has been said of the peaceful dead, that they rest from their labours, and that their works do follow them.

Yes indeed, the works of men of genius do follow them, and remain as a lasting treasure.

And though there may be disputes and discussions about the immortality of the body or the soul, nobody can deny the immortality of genius, which ever remains as a bright and guiding star to the struggling humanities of succeeding ages.
This work, then, which has stood the test of centuries, has placed Vatsyayana among the immortals, and on This, and on Him no better elegy or eulogy can be written than the following lines: "So long as lips shall kiss, and eyes shall see, So long lives This, and This gives life to Thee." * * * * * _Works issued by the Council of the_ KAMA SHASTRA SOCIETY.
_DETAILED PROSPECTUSES CAN BE HAD._ II.
ANANGA-RANGA, (_Stage of the Bodiless One_) OR THE HINDOO ART OF LOVE, (_Ars Amoris Indica_,) TRANSLATED FROM THE SANSKRIT AND ANNOTATED BY A.F.