The power of the play is in the adequate style the man represents the colony.

Sessue Hayakawa should give us Japanese tales more adapted to the films.

We should have stories of Iyeyasu and Hideyoshi, written from the ground up for the photoplay theatre.

We should have the story of the Forty-seven Ronin, not a Japanese stage version, but a work from the source-material.

We should have legends of the various clans, picturizations of the code of the Samurai.
The Typhoon is largely indoors.