[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link book
The Art Of The Moving Picture

CHAPTER VIII
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It is an exceedingly irrelevant imagination that shows her in other scenes as a duellist, for instance, because forsooth she can fence.

As a child of the ocean, half fish, half woman, she is indeed convincing.

Such mermaids as this have haunted sailors, and lured them on the rocks to their doom, from the day the siren sang till the hour the Lorelei sang no more.

The scene with the baby mermaid, when she swims with the pretty creature on her back, is irresistible.

Why are our managers so mechanical?
Why do they flatten out at the moment the fancy of the tiniest reader of fairy-tales begins to be alive?
Most of Annette's support were stage dummies.


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