[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link bookThe Art Of The Moving Picture CHAPTER VIII 5/30
Neptune was a lame Santa Claus with cotton whiskers. But as for the bearing of the film on this chapter: the human figure is within its rights whenever it is as free from self-consciousness as was the life-radiating Annette in the heavenly clear waters of Bermuda.
On the other hand, Neptune and his pasteboard diadem and wooden-pointed pitchfork, should have put on his dressing-gown and retired.
As a toe dancer in an alleged court scene, on land, Annette was a mere simperer. Possibly Pavlowa as a swimmer in Bermuda waters would have been as much of a mistake.
Each queen to her kingdom. For living, moving sculpture, the human eye requires a costume and a part in unity with the meaning of that particular figure.
There is the Greek dress of Mordkin in the arrow dance.
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