[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link book
The Art Of The Moving Picture

CHAPTER VIII
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There is Annette's breast covering of shells, and wonderful flowing mermaid hair, clothing her as the midnight does the moon.

The new costume freedom of the photoplay allows such limitation of clothing as would be probable when one is honestly in touch with wild nature and preoccupied with vigorous exercise.

Thus the cave-man and desert island narratives, though seldom well done, when produced with verisimilitude, give an opportunity for the native human frame in the logical wrappings of reeds and skins.

But those who in a silly hurry seek excuses, are generally merely ridiculous, like the barefoot man who is terribly tender about walking on the pebbles, or the wild man who is white as celery or grass under a board.

There is no short cut to vitality.
A successful literal use of sculpture is in the film Oil and Water.
Blanche Sweet is the leader of the play within a play which occupies the first reel.


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