PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

It relates directly to chapter three.
While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

The situations show to better advantage when they seem to be paintings rather than monumental groups.
Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

Cut them out.

Winnow them several times.