The Photoplay of Action.

Like the Action Film, this aspect of composition is much better understood by the commercial people than some other sides of the art.

Some of the best of the William S.Hart productions show appreciation of this quality by the director, the photographer, and the public.

Not only is the man but the horse allowed to be moving bronze, and not mere cowboy pasteboard.

Many of the pictures of Charles Ray make the hero quite a bronze-looking sculpturesque person, despite his yokel raiment.
Chapter IX--Painting-in-Motion, being a continuation on a higher terrace of chapter three, The Intimate Photoplay.