[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link bookThe Art Of The Moving Picture CHAPTER II 13/14
In the more effective Action Plays it is often what would be secondary on the stage, the recovery of a certain glove, spade, bull-calf, or rock-quarry.
And to begin, we are shown a clean-cut picture of said glove, spade, bull-calf, or rock-quarry.
Then when these disappear from ownership or sight, the suspense continues till they are again visible on the screen in the hands of the rightful owner. In brief, the actors hurry through what would be tremendous passions on the stage to recover something that can be really photographed.
For instance, there came to our town long ago a film of a fight between Federals and Confederates, with the loss of many lives, all for the recapture of a steam-engine that took on more personality in the end than private or general on either side, alive or dead.
It was based on the history of the very engine photographed, or else that engine was given in replica.
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