But the photoplay interior is the size such a work-room should be.

And there the awl and pegs and bits of leather, speaking the silent language of picture writing, can be clearly shown.

They are sometimes like the engine in chapter two, the principal actors.
Though the Intimate-and-friendly Photoplay may be carried out of doors to the row of loafers in front of the country store, or the gossiping streets of the village, it takes its origin and theory from the snugness of the interior.
The restless reader replies that he has seen photoplays that showed ballrooms that were grandiose, not the least cosy.

These are to be classed as out-of-door scenery so far as theory goes, and are to be discussed under the head of Splendor Pictures.

Masses of human beings pour by like waves, the personalities of none made plain.