[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link bookThe Art Of The Moving Picture CHAPTER V 16/18
The Reverend Thomas Dixon is a rather stagy Simon Legree: in his avowed views a deal like the gentleman with the spiritual hydrophobia in the latter end of Uncle Tom's Cabin.
Unconsciously Mr. Dixon has done his best to prove that Legree was not a fictitious character. * * * * * Joel Chandler Harris, Harry Stillwell Edwards, George W.Cable, Thomas Nelson Page, James Lane Allen, and Mark Twain are Southern men in Mr. Griffith's class.
I recommend their works to him as a better basis for future Southern scenarios. The Birth of a Nation has been very properly denounced for its Simon Legree qualities by Francis Hackett, Jane Addams, and others.
But it is still true that it is a wonder in its Griffith sections.
In its handling of masses of men it further illustrates the principles that made notable the old one-reel Battle film described in the beginning of this chapter. The Battle in the end is greater, because of its self-possession and concentration: all packed into twenty minutes. When, in The Birth of a Nation, Lincoln (impersonated by Joseph Henabery) goes down before the assassin, it is a master-scene.
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