To call her sister back would have made all further attempt at escape hopeless--to let her go on seemed almost equally fatal--Inez could have shrieked aloud.

But Dolores had already gone out, and a moment later the heavy door swung back to its place, and it was too late to call her.

Like an immaterial spirit, Inez slipped away from the place where she stood and went back to Dolores' room, knowing that Eudaldo would very probably go and knock where he supposed her sister to be a prisoner, before slipping the outer bolt again.

And so he did, muttering an imprecation upon the little lamp that had gone out and left the small hall in darkness.

Then he knocked, and spoke through the door, offering to bring her food, or fire, and repeating his words many times, in a supplicating tone, for he was devoted to both the sisters, though terror of old Mendoza was the dominating element in his existence.
At last he shook his head and turned despondently to light the little lamp again; and when he had done that, he went away and bolted the door after him, convinced that Inez had gone out and that Dolores had stayed behind in the last room.
When she had heard him go away the last time, the blind girl threw herself upon Dolores' bed, and buried her face in the down cushion, sobbing bitterly in her utter loneliness; weeping, too, for something she did not understand, but which she felt the more painfully because she could not understand it, something that was at once like a burning fire and an unspeakable emptiness craving to be filled, something that longed and feared, and feared longing, something that was a strong bodily pain but which she somehow knew might have been the source of all earthly delight,--an element detached from thought and yet holding it, above the body and yet binding it, touching the soul and growing upon it, but filling the soul itself with fear and unquietness, and making her heart cry out within her as if it were not hers and were pleading to be free.