It was in the palatial Renaissance manner and had fantastic interior arrangements which consisted of modern conveniences framed in a setting of somewhat artificial originality.
Count Muffat had bought the house ready furnished and full of hosts of beautiful objects--lovely Eastern hangings, old credences, huge chairs of the Louis XIII epoch.

And thus Nana had come into artistic surroundings of the choicest kind and of the most extravagantly various dates.

But since the studio, which occupied the central portion of the house, could not be of any use to her, she had upset existing arrangements, establishing a small drawing room on the first floor, next to her bedroom and dressing room, and leaving a conservatory, a large drawing room and a dining room to look after themselves underneath.
She astonished the architect with her ideas, for, as became a Parisian workgirl who understands the elegancies of life by instinct, she had suddenly developed a very pretty taste for every species of luxurious refinement.

Indeed, she did not spoil her house overmuch; nay, she even added to the richness of the furniture, save here and there, where certain traces of tender foolishness and vulgar magnificence betrayed the ex-flower seller who had been wont to dream in front of shopwindows in the arcades.
A carpet was spread on the steps beneath the great awning over the front door in the court, and the moment you entered the hall you were greeted by a perfume as of violets and a soft, warm atmosphere which thick hangings helped to produce.

A window, whose yellow-and rose-colored panes suggested the warm pallor of human flesh, gave light to the wide staircase, at the foot of which a Negro in carved wood held out a silver tray full of visiting cards and four white marble women, with bosoms displayed, raised lamps in their uplifted hands.