[Nana. The Miller’s Daughter. Captain Burle. Death of Olivier Becaille by Emile Zola]@TWC D-Link book
Nana. The Miller’s Daughter. Captain Burle. Death of Olivier Becaille

CHAPTER XIII
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These last were of that pink flesh tint which the skies assume on fine evenings, when Venus lights her fires on the horizon against the clear background of fading daylight.

The golden cords and tassels hanging in corners and the gold lace-work surrounding the panels were like little flames of ruddy strands of loosened hair, and they half covered the wide nakedness of the room while they emphasized its pale, voluptuous tone.

Then over against him there was the gold and silver bed, which shone in all the fresh splendor of its chiseled workmanship, a throne this of sufficient extent for Nana to display the outstretched glory of her naked limbs, an altar of Byzantine sumptuousness, worthy of the almighty puissance of Nana's sex, which at this very hour lay nudely displayed there in the religious immodesty befitting an idol of all men's worship.

And close by, beneath the snowy reflections of her bosom and amid the triumph of the goddess, lay wallowing a shameful, decrepit thing, a comic and lamentable ruin, the Marquis de Chouard in his nightshirt.
The count had clasped his hands together and, shaken by a paroxysmal shuddering, he kept crying: "My God! My God!" It was for the Marquis de Chouard, then, that the golden roses flourished on the side panels, those bunches of golden roses blooming among the golden leaves; it was for him that the Cupids leaned forth with amorous, roguish laughter from their tumbling ring on the silver trelliswork.

And it was for him that the faun at his feet discovered the nymph sleeping, tired with dalliance, the figure of Night copied down to the exaggerated thighs--which caused her to be recognizable of all--from Nana's renowned nudity.


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