But Wuldor's bone vessel is an old bit of genuine tradition mangled.

It would cross the sea as well as a ship could, by virtue of certain spells marked on it.
Of "Frey", who appears as "satrapa" of the gods at Upsala, and as the originator of human sacrifice, and as appeased by black victims, at a sacrifice called Froblod (Freys-blot) instituted by Hadding, who began it as an atonement for having slain a sea-monster, a deed for which he had incurred a curse.

The priapic and generative influences of Frey are only indicated by a curious tradition mentioned.

It almost looks as if there had once been such an institution at Upsala as adorned the Phoenician temples, under Frey's patronage and for a symbolic means of worship.
"Thunder", or "Thor", is Woden's son, strongest of gods or men, patron of Starcad, whom he turned, by pulling off four arms, from a monster to a man.
He fights by Woden's side and Balder's against Hother, by whose magic wand his club (hammer) was lopped off part of its shaft, a wholly different and, a much later version than the one Snorre gives in the prose Edda.

Saxo knows of Thor's journey to the haunt of giant Garfred (Geirrod) and his three daughters, and of the hurling of the iron "bloom", and of the crushing of the giantesses, though he does not seem to have known of the river-feats of either the ladies or Thor, if we may judge (never a safe thing wholly) by his silence.
Whether "Tew" is meant by the Mars of the Song of the Voice is not evident.