[The Book of the Epic by Helene A. Guerber]@TWC D-Link bookThe Book of the Epic INTRODUCTION 291/305
The unsuspecting Robin patiently awaited her return, and, when he finally realized his plight and tried to summon aid, he was able to blow only the faintest call upon his horn.
This proved enough, however, to summon Little John, who was lurking in the forest near by, for he dashed toward the priory, broke open the door, and forced his way into the turret-chamber, where he found poor Robin nearly gone. At his cries, the prioress hastened to check the bleeding of Robin's wound, but too late! Faintly whispering he would never hunt in the forest again, Robin begged Little John string his bow, and raise him up so he could shoot a last arrow out of the narrow window, adding that he wished to be buried where that arrow fell.
Placing the bow in Robin's hand, Little John supported his dying master while he sent his last arrow to the foot of a mighty oak, and "something sped from that body as the winged arrow sped from the bow," for it was only a corpse Little John laid down on the bed! At dawn on the morrow six outlaws bore their dead leader to a grave they had dug beneath the oak, above which was a stone which bore this inscription: Here underneath this little stone Lies Robin, Earl of Huntington, None there was as he so good, And people called him Robin Hood. Such outlaws as he and his men Will England never see again. Died December 24th, 1247. THE FAERIE QUEENE Edmund Spenser, who was born in London in 1552 and lived at Dublin as clerk to the court of Chancery, there wrote the Faerie Queene, of which the first part was published in 1589 and dedicated to Elizabeth. In this poem he purposed to depict the twelve moral virtues in twelve successive books, each containing twelve cantos, written in stanzas of eight short lines and one long one.
But he completed only six books of his poem in the course of six years. The Faerie Queene is not only an epic but a double allegory, for many of the characters represent both abstract virtues and the noted people of Spenser's time.
For instance, the poem opens with a description of the court of Gloriana,--who impersonates Elizabeth and is the champion of Protestantism.
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