[The Poetry Of Robert Browning by Stopford A. Brooke]@TWC D-Link bookThe Poetry Of Robert Browning CHAPTER V 29/57
No," and again he sweeps round on himself, out of his excuses, "perhaps not, 'incentives come from the soul's self'; and mine is gone.
I've chosen the love of you, Lucrezia, earth's love, and I cannot pass beyond my faultless drawing into the strife to paint those divine imaginations the soul conceives." That is the meaning of Browning.
The faultless, almost mechanical art, the art which might be born of an adulterous connection between science and art, is of little value to men.
Not in the flawless painter is true art found, but in those who painted inadequately, yet whose pictures breathe Infinite passion and the pain Of finite hearts that yearn. In this incessant strife to create new worlds, and in their creation, which, always ending in partial failure, forces fresh effort, lies, Browning might have said, the excuse for God having deliberately made us defective.
Had we been made good, had we no strife with evil; had we the power to embody at once the beauty we are capable of seeing; could we have laid our hand on truth, and grasped her without the desperate struggle we have to win one fruit from her tree; had we had no strong crying and tears, no agony against wrong, against our own passions and their work, against false views of things--we might have been angels; but we should not have had humanity and all its wild history, and all its work; we should not have had that which, for all I know, may be unique in the universe; no, nor any of the great results of the battle and its misery.
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