He also is as common as Chiappino, as modern as he is ancient.

Both are representative types, and admirably drawn.

They are done at too great length, but Browning could not manage them as well in Drama as he would have done in a short piece such as he placed in _Men and Women_.

Why this little thing is called _A Soul's Tragedy_ I cannot quite understand.

That title supposes that Chiappino loses his soul at the end of the play.