[Sketches In The House (1893) by T. P. O’Connor]@TWC D-Link bookSketches In The House (1893) CHAPTER XL 5/26
Taunts, insults, gentle and seductive invitations, are addressed to them--from the front, from behind, from their side; they never open their lips--the silent, stony, and eternal silence of the Sphinx is not more inflexible.
And similarly men rage, some almost seem to threaten each other with physical violence; _they_ sit still--silent, watchful, composed.
Not all, of course.
There are the young, and the vehement, and the undisciplined; but that Old Guard which was created by Parnell--which went with him through coercion, and the wildest of modern agitations--which contains men that have lived for years under the shadow of the living death of penal servitude--men who have passed the long hours of the day--the longer hours of the night--in the cheerless, maddening, spectral silence of the whitewashed cells--the Old Parliamentary Guard is silent. I have been in the House of Commons for upwards of thirteen years; and in the course of that stormy time have, of course, seen many scenes of passion, anger, and tumult; but the scene which ensued on May 8th, after Mr.Morley's motion, was the worst thing I have ever beheld.
I am a lover of the British House of Commons--with all its faults, and drawbacks, and weaknesses, it is to me the most august assembly in the world, with the greatest history, the finest traditions, the best oratory.
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