Still, though we have mentioned other examples of the fifties and sixties, and have left ever so many more unmentioned, it was certainly not as popular[27] as its rival till, towards the end of the latter decade, Mr.Blackmore's _Lorna Doone_ gave it a fresh hold on the public taste.

Some ten years later again there came to its aid a new recruit of very exceptional character, Mr.Robert Louis Stevenson.

He was a member of the famous family of light-house engineers, and was educated for the Bar of Scotland, to which he was actually called.

But law was as little to his taste as engineering, and he slowly gravitated towards literature--the slowness being due, not merely to family opposition or to any other of the usual causes (though some of these were at work), but to an intense and elaborate desire to work himself out a style of his own by the process of "sedulously aping" others.

It may be very much doubted whether this process ever gave any one a style of perfect freedom: and it may be questioned further whether Stevenson ever attained such a style.
[27] Anthony Trollope, in one of the discursive passages in his early books, has left positive testimony to the distaste with which publishers regarded it.
But there could be no question that he did attain very interesting and artistic effects, and there happened to be at the time a reaction against what was called "slovenliness" and a demand for careful preparation and planned effect in prose-writing.