[Christian’s Mistake by Dinah Maria Mulock Craik]@TWC D-Link book
Christian’s Mistake

CHAPTER 15
13/19

And her step-mother could not possibly explain to the child why she was "so glad." Glad, for the only reason which makes a real woman care to be lovely, because she loves and is beloved.
The day wore by; the days at the Lodge went swiftly enough now, even under the haunting eyes of the pale foundress, and the grim, defunct masters, which Christian used to fancy pursued her, and glared at her from morning till night.

Now the sad queen seemed to gaze at her with a pensive envy, and the dark-visaged mediaeval doctors to look after her with a good-natured smile.

They had alike become part and portions of her home--the dear home in which her life was to pass--and she dreaded neither them nor it any more.
In the evening the family were all gathered together in their accustomed place, round Christian's new piano in the drawing-room; for, since Miss Gascoigne's departure, she had earned out her own pleasure in a long contested domestic feud, and persisted in using the drawing-room every night.

She did not see why its pleasant splendors should gratify the public and not the family; so she let Arthur and Letitia, and even Oliver, enjoy the sight of the beautiful room, and learn to behave themselves in it accordingly even toward her lovely piano which was kept open for a full hour every evening, for a sort of family concert.
She had taken much pains, at what personal cost keen lovers of music will understand, to teach her little folk to sing.

It was possible, for they had all voices, but it had its difficulties, especially when Oliver insisted on joining the concert, as he did now, tossing his curls, and opening his rosy mouth like a great round O, but, nevertheless, looking so exceeding like a singing cherub that Christian caught him up and kissed him with a passionate delight.
And then she proceeded gravely with the song, words and music of which she had to compose and to arrange, as she best could, so as to suit the capacity of her performers.


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