ascended the throne--an era reflected in the poem of Chaucer.
The king, with Wiclif's aid, checked the encroachments of the Church.

He increased the representation of the people in parliament, and--perhaps the greatest reform of all--he divided that body into two houses, the peers and the commons, giving great consequence to the latter in the conduct of the government, and introducing that striking feature of English legislation, that no ministry can withstand an opposition majority in the lower house; and another quite as important, that no tax should be imposed without its consent.

The philosophy of these great facts is to be found in the democratic spirit so manifest among the pilgrims; a spirit tempered with loyalty, but ready, where their liberties were encroached upon, to act with legislative vigor, as well as individual boldness.
Not so directly, but still forcibly, does Chaucer present the results of Edward's wars in France, in the status of the knight, squire, and yeoman, and of the English sailor, and in the changes introduced into the language and customs of the English thereby.
CHAUCER'S ENGLISH .-- But we are to observe, finally, that Chaucer is the type of progress in the language, giving it himself the momentum which carried it forward with only technical modifications to the days of Spenser and the Virgin Queen.

The _House of Fame_ and other minor poems are written in the octosyllabic verse of the Trouveres, but the _Canterbury Tales_ give us the first vigorous English handling of the decasyllabic couplet, or iambic pentameter, which was to become so polished an instrument afterward in the hands of Dryden and Pope.

The English of all the poems is simple and vernacular.
It is known that Dante had at first intended to compose the Divina Commedia in Latin.