The idea is somewhat elaborated from _F of F--B_.

Other changes are necessitated by the change in the mode of presenting the story.

In _The Fields of Fancy_ Mathilda speaks as one who has already died.
[74] Cf.

Shelley's emphasis on hope and its association with love in all his work.

When Mary wrote _Mathilda_ she knew _Queen Mab_ (see Part VIII, ll.