[A Portraiture of Quakerism, Volume I (of 3) by Thomas Clarkson]@TWC D-Link bookA Portraiture of Quakerism, Volume I (of 3) INTRODUCTION 88/423
These consist of songs sung at our theatres, or at our public gardens, or at our other places of public resort, and are afterwards printed with their music, and exposed to sale.
The words therefore, of these songs, as well as the music that is attached to them, fall into the hands of the young amateur.
Now as such songs are not always chaste, or delicate, and as they frequently contain such sentiments, as I have shewn the Quakers to disapprove, the young musician, if a Quaker, might have his modestey frequently put to the blush, or his delicacy frequently wounded, or his morality often broken in upon, by their perusal.
Hence, though instrumental music might have no immoral tendency in itself, the Quakers have rejected it, among other reasons, on account of its almost inseparable connection with vocal. SECT.
V. _Objection anticipated, that though the arguments, used by the Quakers in the preceding chapters, are generally fair and positive, yet an exceptionable one seems to have been introduced, by which it appears to be inculcated, that the use of a thing ought to be abandoned on account of its abuse--explanation of the distinction, made by the Quakers, in the use of this argument_. I purpose to stop for a while, and to make a distinction, which may now become necessary, with respect to the use of what may appear to be a Quaker principle of argument, before I proceed to a new subject. It may have been observed by some of my readers, that though the Quakers have adduced arguments, which may be considered as fair and positive on the subjects, which have come before us, yet they appear to have adduced one, which is no other, than that of condemning the use of a thing on account of its abuse.
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