Its completeness in itself is lost and its value for our esthetic enjoyment has faded away.
Now we understand why it is necessary that each art should have its particular method for fundamentally changing reality.

Now we recognize that it is by no means a weakness of sculpture that the marble statue has not the colors of life but a whiteness unlike any human being.

Nor does it appear a deficiency in the painting or the drawing that it can offer two dimensions only and has no means to show us the depth of real nature.

Now we grasp why the poet expresses his feelings and thoughts in the entirely unnatural language of rhythms and rhymes.

Now we see why every work of art has its frame or its base or its stage.