[The Photoplay by Hugo Muensterberg]@TWC D-Link book
The Photoplay

CHAPTER III[1] DEPTH AND MOVEMENT [1] Readers who have no technical interest in physiological psychology may omit Chapter III and turn directly to Chapter IV on Attention
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They are present and yet they are not in the things.

We invest the impressions with them._ The theater has both depth and motion, without any subjective help; the screen has them and yet lacks them.

We see things distant and moving, but we furnish to them more than we receive; we create the depth and the continuity through our mental mechanism..


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