[Rienzi by Edward Bulwer Lytton]@TWC D-Link book
Rienzi

CHAPTER 4
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It might be that he deemed it policy to break the spirit of his foes, and to awe those whom it was a vain hope to conciliate.
For his pomp there was a greater excuse: it was the custom of the time; it was the insignia and witness of power; and when the modern historian taunts him with not imitating the simplicity of an ancient tribune, the sneer betrays an ignorance of the spirit of the age, and the vain people whom the chief magistrate was to govern.

No doubt his gorgeous festivals, his solemn processions, set off and ennobled--if parade can so be ennobled--by a refined and magnificent richness of imagination, associated always with popular emblems, and designed to convey the idea of rejoicing for Liberty Restored, and to assert the state and majesty of Rome Revived--no doubt these spectacles, however otherwise judged in a more enlightened age and by closet sages, served greatly to augment the importance of the Tribune abroad, and to dazzle the pride of a fickle and ostentatious populace.

And taste grew refined, luxury called labour into requisition, and foreigners from all states were attracted by the splendour of a court over which presided, under republican names, two sovereigns, (Rienzi, speaking in one of his letters of his great enterprise, refers it to the ardour of youth.

The exact date of his birth is unknown; but he was certainly a young man at the time now referred to.

His portrait in the Museo Barberino, from which his description has been already taken in the first book of this work, represents him as beardless, and, as far as one can judge, somewhere above thirty--old enough, to be sure, to have a beard; and seven years afterwards he wore a long one, which greatly displeased his naive biographer, who seems to consider it a sort of crime.


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