The trains of attendants who daily enter his palace with game and locusts for his dinner, and cakes and fruit for his dessert, appear on the walls of his passages, exactly as they walked through his courts, bearing the delicacies in which he delighted.

Elsewhere he puts before us the entire process of carving and transporting a colossal bull, from the first removal of the huge stone in its rough state from the quarry, to its final elevation on a palace mound as part of the great gateway of a royal residence.

We see the trackers dragging the rough block, supported on a low flat-bottomed boat, along the course of a river, disposed in gangs, and working under taskmasters who use their rods upon the slightest provocation.

The whole scene must be represented, and so the trackers are all there, to the number of three hundred, costumed according to their nations, and each delineated with as much care as it he were not the exact image of ninety-nine others.

We then observe the block transferred to land, and carved into the rough semblance of a bull, in which form it is placed on a rude sledge and conveyed along level ground by gangs of laborers, arranged nearly as before, to the foot of the mound at whose top it has to be placed.