For instance, in the tablet figured on the page opposite, where we see hieroglyphics within a cartouche, the _onk_ or symbol of life, the solar disk, the double ostrich-plume, the long hair-dress called _namms_, and the _tam_ or _kukupha_ sceptre, all unmistakable Egyptian features--we observe a style of drapery which is quite unknown in Egypt, while in several respects it is Assyrian, or at least Mesopotamian.

It is scanty, like that of all Assyrian robed figures; striped, like the draperies of the Chaldaeans and Babylonians: fringed with a broad fringe elaborately colored, as Assyrian fringes are known to have been, and it has large hanging sleeves also fringed, a fashion which appears once or twice upon the Nimrud sculptures.

[PLATE LXXVII, Fig.

4.] But if this specimen, notwithstanding its numerous and striking Egyptian features, is rightly regarded as Mesopotamian, it would seem to follow that the rest of the series must still more decidedly be assigned to native genius.
[Illustration: PLATE 79] The enamelled bricks of the Assyrians are among the most interesting remains of their art.

It is from these bricks alone that we are able to judge at all fully of their knowledge and ideas with respect to color; and it is from them also chiefly that an analysis has been made of the coloring materials employed by the Assyrian artists.