[Led Astray and The Sphinx by Octave Feuillet]@TWC D-Link bookLed Astray and The Sphinx CHAPTER VI 18/21
With her head loaded with that heavy and quivering wreath, she came to place herself in the center of the parlor. "Go on now, dear!" she said to Monsieur de Moras.
He played the tarentella, that began with a sort of slow and measured ballet-step, which Julia performed in her own masterly style, folding and unfolding in turn, like two garlands, her peri's arms; then the rhythm becoming more and more animated, she struck the floor with her rapid and repeated steps, with the wild suppleness and the wanton smile of a young bacchante.
Suddenly she brought the performance to a close with a long slide that carried her, all panting, before Monsieur de Lucan, seated opposite to her.
There, she bent one knee, lay with rapid gesture both her hands upon her hair, and tossing about at the same time her inclined head, she shook off her crown in a shower of flowers at the feet of Lucan, saying in her sweetest voice, and in a tone of gracious homage: "There! sir!" After which, she rose, and, still sliding, made her way to an arm-chair, into which she threw herself, and taking up the cure's three-cornered hat, she began to fan herself vigorously with it. In the midst of the applause and the laughter that filled the parlor, the Baroness de Pers drew gently nearer to Lucan on the sofa which they were jointly occupying, and said to him in a whisper: "Tell me, my dear sir, what in the world is the meaning of this new system? Do you know that I still preferred the old style myself ?" "How, dear madam? And why so ?" said Lucan simply. But before the baroness had time to explain, admitting that such was her intention, Julia was taken with another fancy. "Really," she said, "I am smothering here.
Monsieur de Lucan, do offer me your arm." She went out, and Lucan followed her.
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