But it is the district, of which the bridge is the centre.
No longer do wealthy shipowners and merchants foregather hereabouts; for none exist.

Venice has ceased to fetch and carry for the world, and all her energies are now confined within her own borders.

Enough to live and be as happy as may be! [Illustration: DOORWAY OF S.MARIA DELLA SALUTE] In beauty the Rialto falls far short of most of the bridges of Venice.
Its hard angle superimposed on the great arch is unpleasing to the eye accustomed in this city to easy fluid curves.

Seen from immediately below, the arch is noble; from any greater distance it is lost in the over-structure, angle and curve conflicting.
Ruskin is very enthusiastic over the conceit which placed the Spirito Santo on the keystone of the bridge, the flight, as he thinks, producing an effect of lightness.

He is pleased too with the two angels, and especially that one on the right, whose foot is placed with horizontal firmness.