The first of any importance is the tall seventeenth-century incomplete Flangini with Michael Angelesque figures over the door.

Then the Scuola dei Morti with its _memento mori_ on the wall, and then S.Geremia: outside, a fine mass of yellow brick with a commanding campanile; inside, all Palladian coolness.

Against the church a little house has been built, and at the corner of the Grand Canal and the Cannaregio is the figure of the Virgin.

The great palace a little way down the canal which branches off here--the Cannaregio--is the Labia, interesting chiefly as containing the masterpiece of Tiepolo, unless one agrees with Symonds that his picture of S.Agnes in SS.

Apostoli is his greatest effort.