Vacuous bland countenances, indicative merely of pious mildness, surround you, reaching perhaps their highest point of meek ineffectually in Bissolo.
The next room has nothing but dingy northern pictures in a bad light, of which I like best No.

201, a small early unknown French portrait, and No.

198, an old lady, by Mor.
Sala VII is Venetian again, the best picture being Romanino's "Deposition," No.737.An unknown treatment of Christ in the house of Martha and Mary, No.

152, is quaint and interesting.

Mary is very comely, with long fair hair.