For example, we find this dictum: "There is no book in existence, in which so much of the human character, under all its various shades and phases, is described in so few words, as in the _Diable Boiteux_."[205] The illustration is perhaps a trifle extreme, for Scott is not often really dogmatic.

From this point of view as from others we naturally make the comparison with Johnson's _Lives of the Poets_, and we find that without being so sententious, so admirably compact in style, Scott is also not so dictatorial.
We cannot accuse Scott of liking any one kind of novel to the exclusion of others.

He ranks _Clarissa Harlowe_ very high;[206] he says _Tom Jones_ is "truth and human nature itself."[207] _The Vicar of Wakefield_ he calls "one of the most delicious morsels of fictitious composition on which the human mind was ever employed." "We return to it again and again," he says, "and bless the memory of an author who contrives so well to reconcile us to human nature."[208] He praises _Tristram Shandy_, calling Uncle Toby and his faithful Squire, "the most delightful characters in the work, or perhaps in any other."[209] The quiet fictions of Maria Edgeworth and Jane Austen, the exciting tales of Mrs.Radcliffe, the sentiment of Sterne, even the satires of Bage,--all pleased him in one way or another.

Scott's autobiography contains the following comment on his boyish tastes in the matter of novels: "The whole Jemmy and Jenny Jessamy tribe I abhorred, and it required the art of Burney, or the feeling of Mackenzie, to fix my attention upon a domestic tale.

But all that was adventurous and romantic I devoured without much discrimination."[210] In later life he learned to exercise his judgment in regard to stories of adventure not less than those of the "domestic" sort, and perhaps the liking for quiet tales grew upon him; at any rate his taste seems remarkably catholic.
The most interesting portions of the _Lives of the Novelists_ are those which show us, by the frequent recurrence of the same subjects, what parts of the theory of novel-writing had particularly engaged Scott's attention.