[Sir Walter Scott as a Critic of Literature by Margaret Ball]@TWC D-Link book
Sir Walter Scott as a Critic of Literature

CHAPTER V
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I felt, on the contrary, the more grateful to the public as receiving that from partiality which I could not have claimed from merit; and I endeavoured to deserve the partiality by continuing such exertions as I was capable of for their amusement."[387] The perfect respectability of these remarks tempts the reader to set over against them this earlier observation by the same writer in the guise of Chrystal Croftangry, "One thing I have learned in life--never to speak sense when nonsense will answer the purpose as well."[388] Whatever Scott might think of the worth of public admiration, he frankly attempted to write what would be popular.

He had none of the feeling which has characterized many very interesting men of letters, that the desire for self-expression is the one motive of the author; his personal literary impulse, on the contrary, was always guided by the thought of the audience whom he was addressing.

"No one shall find me rowing against the stream," says the "Author" in the Introductory Epistle to _Nigel_.

"I care not who knows it--I write for general amusement; and though I will never aim at popularity by what I think unworthy means, I will not, on the other hand, be pertinacious in the defence of my own errors against the voice of the public." Of his last "apoplectic books," he wrote, "I am ashamed, for the first time in my life, of the two novels, but since the pensive public have taken them, there is no more to be said but to eat my pudding and to hold my tongue."[389] Early in his career he seems to have felt that he could make a good deal of money by writing, if he should wish.[390] Towards the end he said, "I know that no literary speculation ever succeeded with me but where my own works were concerned; and that, on the other hand, these have rarely failed."[391] The popularity of his own books was so great that they required a special category.

He seemed to be incapable of ascribing their success to extraordinary excellence, and he settled down to the opinion that it was simply their novelty that the public cared for.


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