[History of the Girondists, Volume I by Alphonse de Lamartine]@TWC D-Link book
History of the Girondists, Volume I

BOOK XVI
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This punishment, more terrible than death, turned her brain, and she was conveyed to a mad-house, where she lived twenty years, which were but one long paroxysm of fury.

Shameless and blood-thirsty in her delirium, she refused to wear any garments, as a souvenir of the outrage she had undergone.

She dragged herself, only covered by her long white hair, along the flags of her cell, or clung with her wasted hands to the bars of the window, from whence she addressed an imaginary people, and demanded the blood of Suleau.
XII.
After Theroigne de Mericourt came other demagogues, less widely known, but already celebrated in their own quartiers, such as Rossignol, the working goldsmith; Brierre, a wine-seller; Gonor, the conqueror of the Bastille; Jourdan, surnamed _Coupe-tete_; the famous Polish Jacobin, Lozouski, afterwards buried by the people at the Carrousel; and Henriot, afterwards the confidential general of the convention.

As the columns penetrated into Paris, they were swelled by new groups, that poured forth from the crowded streets that open on the boulevards and the quays.

At each influx of these new recruits, a shout of joy burst from the columns, the military bands struck up the air of the _Ca Ira_, the Marseillaise of assassins, whilst the insurgents sang the chorus, and brandished their arms threateningly at the windows of those suspected of being aristocrates.
These weapons did not resemble the arms of regular troops, which excite at once terror and admiration; they were strange and uncouth arms, caught up by the people in the first impulse of fury or defence.[24] Pikes, lances, spits, cutlasses, carpenters' axes, masons' hammers, shoemakers' knives, paviours' levers, saws, wedges, mattocks, crow-bars, the commonest household utensils of the poor, and the rusty iron exposed for sale on the quays, were alike seized upon by the people; and these different weapons, rusted, black, hideous, each of which presented a different manner of inflicting a wound, seemed to increase the horror of death by displaying it in a thousand terrible and unwonted forms.


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