7, Hoey's Court, Dublin, on November 30, 1667, is a certain fact, of which nobody will deny the sister-island the honour and glory; but it seems to me he was no more an Irishman than a man born of English parents at Calcutta is a Hindoo.

Goldsmith was an Irishman and always an Irishman; Steele was an Irishman and always an Irishman; Swift's heart was English and in England, his habits English, his logic eminently English; his statement is elaborately simple; he shuns tropes and metaphors, and uses his ideas and words with a wise thrift and economy, as he used his money;--with which he could be generous and splendid upon great occasions, but which he husbanded when there was no need to spend it.

He never indulges in needless extravagance of rhetoric, lavish epithets, profuse imagery.

He lays his opinions before you with a grave simplicity and a perfect neatness." This is quite true of him, and the result is that though you may deny him sincerity, simplicity, humanity, or good taste, you can hardly find fault with his language.
Swift was a clergyman, and this is what Thackeray says of him in regard to his sacred profession.

"I know of few things more conclusive as to the sincerity of Swift's religion, than his advice to poor John Gay to turn clergyman, and look out for a seat on the Bench! Gay, the author of _The Beggar's Opera_; Gay, the wildest of the wits about town! It was this man that Jonathan Swift advised to take orders, to mount in a cassock and bands,--just as he advised him to husband his shillings, and put his thousand pounds out to interest." It was not that he was without religion,--or without, rather, his religious beliefs and doubts, "for Swift," says Thackeray, "was a reverent, was a pious spirit.