[Lessons in Music Form by Percy Goetschius]@TWC D-Link book
Lessons in Music Form

CHAPTER VI
16/21

But cases will be encountered where a phrase of three, five, six, or seven measures will admit of no such analysis.

In such instances the student is compelled to rely simply upon the evidence of _the cadence_.

As was advised in the context of Ex.

17, he must endeavor to define the phrase by recognition of its "beginning" and "ending," as such; or by exercising his judgment of the "cadential impression." See also Ex.

48, second phrase (six measures).
See Schubert, pianoforte sonata No.


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