Part II proves to be a double-period.

A coda begins in measure 35; its first members resemble the first phrase of Part I.

In measure 40 another section of the coda begins, borrowed from the prelude.

For exhaustive technical details of the Two-Part Song-form, see the HOMOPHONIC FORMS, Chapters 9 and 10.
LESSON 9 .-- Analyze the following examples of the Two-Part Song-form.
Define the form of each Part, marking and classifying all cadences; and indicate introductions and codas (or codettas), if present.

_The first step in the analysis of these forms is to divide the whole composition into its Parts, by defining the end of Part One_.