This is illustrated in the 7th Song Without Words; Part I is repeated alone, and Parts II and III together; both repetitions are indicated by the customary signs, and each has a double ending.

See also, Schumann, op.

68, No.

1; Part I is repeated exactly, with repetition-marks; Parts II and III are also repeated literally (all but the very last tone in the lower part), but written out,--apparently without necessity.

Also No.