[A Ball Player’s Career by Adrian C. Anson]@TWC D-Link book
A Ball Player’s Career

CHAPTER XXXVIII
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The former was strikingly illustrated at the very outset of his career as a member of the Chicago Club in 1876, when he kept true to his agreement with the club, though under the base-ball law as it then existed the club could not, enforce its contract; and his independence was plainly exhibited in the act of his refusing this year to accept a money testimonial at the hands of his base-ball friends, he preferring to depend upon his existing physical powers for his maintenance rather than upon the proffered financial aid.
"In some respects Anson resembles a rough diamond, his brusque manner and impulsive temper needing the keen polish of the refining wheel of the conventional amenities of life to make his inherent worth shine forth in its full brilliancy.

Anson, too, reminds one somewhat of that old Western pioneer, Davy Crockett, inasmuch as his practical motto is, 'When you know you're right, go ahead.' This latter trait was conspicuously shown in the year of the players' revolt in 1890, when, almost alone as a minority man, he stood by the National League in its greatest hour of need, in opposition to the desertion of hundreds of his confreres in the League ranks.

In these prominent characteristics, we say, Anson stands as the most unique player known in the annals of the professional fraternity." This is indeed praise from Sir Hubert, and I raise my hat in recognition.
What I may conclude to do in the future it is hard to say, and if I return again to my first love, base-ball, it will not be as a player, but wherever I may be or whatever I may do I shall still strive to merit the approval and good will of my friends--God bless them! THE END.
AMOS RUSIE'S PITCHING.
Amos Rusie, who, for several years has probably come nearer being the premier pitcher of the country than any other man, gives some ideas of pitching to the New York Evening Journal.

He says: "In delivering a straight, swift ball, when my object is to obtain the utmost speed at my command and to cut the plate, so that an umpire can have no doubt as to its being 'over,' I grasp the ball firmly with the two first fingers, with the thumb not clutching the ball too tightly.

It is not my intention to twist or curve the ball at those times, but to catch the batter napping or else to prevent him from 'walking' to first.
I take one long preliminary swing to prepare the shoulder muscles for the coming strain, and with my right foot firmly braced on the slab, I lurch forward with a high, straight throw, the weight of my body adding impetus to the ball.
"A slow ball when mixed up with great speed, is most effective if the change of pace is so disguised as to fool the batter.


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