The two parties were now clearly defined, and the points at issue were plainly irreconcilable with one another or involved irreconcilable details.
The printing-press now for the first time appeared as the vehicle for popular literature; the art of the bard gave place to the art of the typographer, and the art of the preacher saw confronting it a formidable rival in that of the pamphleteer.

Similarly in the French Revolution, modern journalism, till then unimportant and sporadic, received its first great development, and began seriously to displace alike the preacher, the pamphlet, and the broadside.

The flood of theological disquisitions, satires, dialogues, sermons, which now poured from every press in Germany, overflowed into all classes of society.

These writings are so characteristic of the time that it is worth while devoting a few pages to their consideration, the more especially because it will afford us the opportunity for considering other changes in that spirit of the age, partly diseased growths of decaying mediaevalism and partly the beginnings of the modern critical spirit, which also find expression in the literature of the Reformation period.
FOOTNOTES: [5] _Saemmtliche Werke_, vol.xxxiii.pp.

322-4.
[6] Quoted in Janssen, _Ein Zweites Wort an meine Kritiker_ 1883, p.