"Children" too ?--very happy, beautiful, heart-gladdening creations--God bless them all, and scatter those who love them not!--but still for a proof of more than average humanity, somewhat common, somewhat overwhelming: rabbits beat us here, with all our fecundity, so offensive to Martineau and Malthus.
But as to "books"-- common enough, too, smirks gentle reader: pardon, courteous sir, most rare--at least in my sense; I speak not of flat current shillings, but the bold medallions of ancient Syracuse; I heed not the dull thousands of minted gold and silver, but the choice coin-sculptures of Larissa and Tarentum.

There do indeed flow hourly, from an ever-welling press, rivers of words; there are indeed shoaling us up on all sides a throng of well-bound volumes--novels, histories, poems, plays, memoirs, and so forth--to all appearance, books: but if by "books" be intended originality of matter, independent arguments, water turned wine, by the miracle of right-thinking, and not a mere re-decantering of dregs from other vessels--these many masqueraded forms, these multiplied images of little-varied likenesses, these Protean herds, will not stay to be counted, nor abide judgment, nor brook scrutiny, but will merge and melt by thousands into the one, or the two, real, original, sterling books.

We live in a monopolylogue of authorship: an idea goes forth to the world's market-place well dressed from the wardrobe of some master-mind; it greets the public with a captivating air, and straightway becomes the rage; it seems epidemical; it comes out simultaneously as a piece of political economy, a cookery-book, a tragedy, a farce, a novel, a religious experience, an abstract _ism_, or a concrete _ology_; till the poor worn-out, dissipated shadow of a thought looks so feeble, thin, fashionably affected and fashionably infected, that its honest, bluff old father, for very shame, disowns it.

Thus has it come to pass, that one or two minds, in this golden age of scribbling, have, to speak radically, been the true originators of a million volumes, which haply shall have sprung from the seed of some singular book, or of books counted in the dual.
Indignant authors, be not merciless on my candour: I confess too much whereof I hold you guilty; I am one of yourselves, and I question not that few of you can beat me in a certain sort of--I will say, unintended, plagiarism; you are thieves--patience--I thieve from thieves; Diogenes cannot see me any more than you; you copy phrases, I am perpetually and unconsciously filching thoughts; my entomological netted-scissors, wherewith I catch those small fowl on the wing, are always within reach; you will never find me without well-tenanted pill-boxes in my pocket, and perhaps a buzzing captive or two stuck in spinning thraldom on my castor; you are petty larceners, I profess the like _metier_ of intellectual abstractor; you pilfer among a crowd of volumes, manuscripts, rare editions, conflicting commentators, and your success depends upon reusage of the old materials; whereas I sit alone and bookless in my dining-parlour, thinking over bygone fancies, reconsidering exploded notions, appropriating all I find of lumber in the warehouse of my memory, and, if need be, without scruple, quietly digesting, as my special provender, the thoughts of others, originated ages ago.
Is it necessary to remind you--dropping this lightsome vein for a precious moment--that I am penning away my "crudites," off-hand, at the top of my speed?
that my set intention is, if possible, to jot down instanter my heavy brainful, and feel for once light headed ?--I stick to my title, '_An Author's Mind_,' and that with a laudable scorn of concealment, and an honest purpose not to pretend it better or wiser than it is; then let no one blame me on the score of my fashion of speech, or my sarcasms mingled with charity; for consistency with me were inconsistent.
Neither let me, poor innocent, be accused of giving license to what a palled public and dyspeptical reviewers will call for the thousandth time a _cacoethes_; word of cabalistic look, unknown to Dr.Dilworth.
Truly, my masters, though disciple I be of venerable Martinus the Scribbler; though, for aught I know, himself in progress of transmigration; still, I submit, my cornucopia is not crammed with leaves and chopped straw; and if, in utter carelessness, the fruit is poured out pell-mell after this desultory fashion, yet, I wot, it _is_ fruit, though whether ripe or crude, or rotten, my husbandry takes little thought: the mixture serves for my cider-press, and, fermentation over, the product will be clarified.

Judge me too, am I not consecutive?
I've shown man to be a writing animal; and writing, what it is and is not; and meanwhile have been routing recreatively at pen's point whims, and fancies, and ideas, and images, pulled in manfully by head and shoulders: and now--after an episode, quite relevant and quite Herodotean, concerning the consequences of a bit of successful authorship on a man's scheme of life, to illustrate yet more the "author's mind"-- I shall proceed to tell all men how many books I might, could, should, or would have written, but for reiterated and legitimated _buts_, and how near of kin I must esteem myself to the illustrious J.
of nursery rhymes, being, as he is or was, "Mister Joe Jenkins, who played on the fiddle, and began twenty tunes, but left off in the middle." Moreover, no one can be ignorant of the close consanguinity recognised in every age and every dictionary between I and J.But now for the episode: If ever a toy were symbolical of life, that toy was a kaleidoscope: the showy bits of tinsel, coloured glass, silk, beads, and feathers, with here and there perchance a stray piece of iridescent ore or a pin, each, in its turn of ideal multiplication, filling successively the field of vision; the trifling touch that will disenchant the fairest patterns; the slightest change, as in chemical arithmetic, that will make the whole mixture a poison or a cordial.