[The Complete Prose Works of Martin Farquhar Tupper by Martin Farquhar Tupper]@TWC D-Link bookThe Complete Prose Works of Martin Farquhar Tupper CHAPTER XIX 24/223
After disputation, the father and lovers walk off, leaving Galba alone for a moment's soliloquy; and, from behind the terminal altar, unseen Sibyl hails him Caesar; he, astonished at the airy voice so coincident with his own feelings, thinks it ideal, chides his babbling thoughts, and so forth: then enter to him suddenly chance-met noble citizens, burnt out of house and home, who declaim furiously against Nero.
Sibyl, still unseen from behind the altar, again hails Galba as future Caesar; who, no longer doubting his ears, and all present taking the omen, they conspire at the altar with drawn swords, and as the Sibyl suddenly presides--_tableau_--and down drops the soft green baize.
This first act, you perceive, is stirring, introductory of many characters; and the picture of the seven-hilled city, seen in a transparent blaze, might give the followers of Stanfield a triumph. _Second_: The senate scene, producing another monstrous crime of Nero's, also inaccurately dated.
In the full august assembly, Nero discovered enthroned, not unmajestic in deportment, yet effeminately chapleted, and holding a lyre: suppose him just returned from Elis, a pancratist, the world's acknowledged champion.
Nattalis, ever foremost in flatteries, after praising the prince's exploits in Greece, avows that, like Paris in Troy, and Alexander at Persepolis, Nero _had_ gloriously fired Rome; he found it wood, and wished to leave it marble; (so, the catafalque at the Invalides of the twice-buried Corsican;) in destroying, as well as blessing, he had asserted his divinity; any after due allusions to Phoenixes, and fire-kingships, and _coups-de-soliel_ falling from the same Apollo so great upon the guitar, Nattalis moves that Nero should be worshipped, and calls on the priest of Jupiter to set a good example. None dare refuse, and the senate bend before him; whereupon enter, in clerical procession, augurs, and diviners, men at arms with pole-axes, and coronaled white bulls, paraded before sacrifice: all this pandering to present love of splendour and picturesque effect.
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