[The Complete Prose Works of Martin Farquhar Tupper by Martin Farquhar Tupper]@TWC D-Link book
The Complete Prose Works of Martin Farquhar Tupper

CHAPTER XIX
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But, we may do harm to morality and truth, by falsely making much of a faint, fleeting, paltry, excitation.

The brain waltzing intoxicated, the heart panting as in youth's earliest affection, the mind broad, and deep, and calm, a Pacific in the sunshine, the body lapped in downy rest, with every nerve ministering to its comfort; what more can one, merely and professedly of this world of sensualism--an opium-eater for instance--conceive of bliss?
Such imaginative flights as these, with its pungent final interrogatory, suggestive to man's selfishness of joys as yet untried, might tempt to tamper with the dear delight; whereas the plain statement of the most that opium could minister to happiness, as contrasted with those false vain views of it, remind me of Tennyson's poetical '_Timbuctoo_,' gorgeous as a new Jerusalem in Apocalyptic glories, and the mean filth-obstructed kraals dotted on an arid plain, to which, for very truthfulness, his soaring fancy drops plumbdown, as the shot eagle in '_Der Freischutz_.' Let this then serve as a meagre sketch of my defunct treatise on opium: think not that I love the subject, curious and fertile though it be; perhaps, philosophically regarded, it is not a better one than _gin_; but ears polite endure not the plebeian monosyllable, unless indeed with a reduplicated _n_, as Mr.Lane _will_ have it our whilom genie should be spelt: accordingly, I magnanimously give up the whole idea, and am liberal enough, in this my dying determination, to sign a codicil, bequeathing opium to my executors.
* * * * * Novelism is a field so filled with copy-holders, so populously tenanted in common, that it requires no light investigation to find a site unoccupied, and a hero or heroine waiting to be hired.

Nevertheless, I seem to myself to have lighted on a rich and little-cultivated corner; imagining that the subject is a good one, because still untouched, founded on facts, and with amplifiable variations that border on the probable.

He that lionizes Stratford-on-Avon, will remember in one of the Shakspearian museums of that classic town, the pictured trance of hapless CHARLOTTE CLOPTON, as it was limned in death-seeming life.

He will be shown the tombs of her ancient family in Stratford church, and the door of that fatal vault; he will hear something of her noble birth--her fine character--her fascinating beauty--her short, innocent, eventful life--her horrible death.


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