Those who were to take a share in the representation of the morning, were conducted to an old saloon, destined for a green-room, and which communicated with a series of apartments on the right, hastily fitted with accommodations for arranging and completing their toilet; while others, who took no part in the intended drama, were ushered to the left, into a large, unfurnished, and long disused dining parlour, where a sashed door opened into the gardens, crossed with yew and holly hedges, still trimmed and clipped by the old grey-headed gardener, upon those principles which a Dutchman thought worthy of commemorating in a didactic poem upon the _Ars Topiaria_.
A little wilderness, surrounding a beautiful piece of the smoothest turf, and itself bounded by such high hedges as we have described, had been selected as the stage most proper for the exhibition of the intended dramatic picture.

It afforded many facilities; for a rising bank exactly in front was accommodated with seats for the spectators, who had a complete view of the silvan theatre, the bushes and shrubs having been cleared away, and the place supplied with a temporary screen, which, being withdrawn by the domestics appointed for that purpose, was to serve for the rising of the curtain.

A covered trellis, which passed through another part of the garden, and terminated with a private door opening from the right wing of the building, seemed as if it had been planted on purpose for the proposed exhibition, as it served to give the personages of the drama a convenient and secret access from the green-room to the place of representation.

Indeed, the dramatis personae, at least those who adopted the management of the matter, were induced, by so much convenience, to extend, in some measure, their original plan; and, instead of one group, as had been at first proposed, they now found themselves able to exhibit to the good company a succession of three or four, selected and arranged from different parts of the drama; thus giving some duration, as well as some variety, to the entertainment, besides the advantage of separating and contrasting the tragic and the comic scenes.
After wandering about amongst the gardens, which contained little to interest any one, and endeavouring to recognise some characters, who, accommodating themselves to the humours of the day, had ventured to appear in the various disguises of ballad-singers, pedlars, shepherds, Highlanders, and so forth, the company began to draw together towards the spot where the seats prepared for them, and the screen drawn in front of the bosky stage, induced them to assemble, and excited expectation, especially as a scroll in front of the esplanade set forth, in the words of the play, "This green plot shall be our stage, this hawthorn brake our tiring-house, and we will do it in action." A delay of about ten minutes began to excite some suppressed murmurs of impatience among the audience, when the touch of Gow's fiddle suddenly burst from a neighbouring hedge, behind which he had established his little orchestra.

All were of course silent, "As through his dear strathspeys he bore with Highland rage." And when he changed his strain to an adagio, and suffered his music to die away in the plaintive notes of Roslin Castle, the echoes of the old walls were, after a long slumber, awakened by that enthusiastic burst of applause, with which the Scots usually received and rewarded their country's gifted minstrel.
"He is his father's own son," said Touchwood to the clergyman, for both had gotten seats near about the centre of the place of audience.